Colin Hicks & The Cabin Boys




Colin Hicks was the younger brother of British rock'n' roll pioneer Tommy Hicks aka Tommy Steele. However at home, in the UK, the hoped-for success never materialised despite being signed up by the same managers, several top-of-the-bill tours and some TV appearances. He took a lot of stick from Tommy's fans, add to the fact that Colin looked and sounded very much like his elder brother didn't help.

Even his story began almost like a fairy tale. Colin Hicks was born in London in 1941. During Spring 1957, he was still a 16-year-old cabin boy in an oil tanker docked in South Africa. And one day he sang for laughs in a local nightclub.
When he returned to London, Tommy Steele's managers, Larry Parnes and John Kennedy, enjoyed his singing ability and signed him up to sing in a nightclub in London's posh Mayfair district.
He then sang at the 2I's coffee Bar where Bobby Green arranged an audition for his backing group The Cabin Boys.
They recruited Tony Eagleton on lead guitar; Tony Belcher on rhythm guitar; Brian Gregg on bass (from Les Hobeaux Skiffle Group) (1); Ronnie Mills on piano, and Jimmie Nicol on drums, who all used to get up regularly at the 2I's.

As a result, a recording contract with Pye records led to the release of his debut single, "Empty Arm Blues" a song written by his guitar man Tony Eagleton, coupled with "Wild Eyes".

Then followed three TV guest spots and from November to December 1957, a 7 week package tour with Marty Wilde, beginning in Sunderland and finishing in London. They both headlined at the old Finsbury Park Empire on 9 December 1957.

Colin's second 45 "La Dee Dah"/"Wasteland" came in early 1958.
By february 1958, Colin Hicks and Marty Wilde roped in as replacements for Terry Dene during a package tour with Chas McDevitt and Edna Savage, after a gig at Gloucester Regal.
Soon after, Tony Belcher went on to join Rory Blackwell's Blackjacks then later Marty Wilde's Wildcats. He was replaced with saxophone player Johnny Stanley.

In April 1958, Larry Parnes sent Colin Hicks & His Cabin Boys to play 2 one-night stands at the Thurso Town Hall and the Boys' Brigade Hall in Wick, Scotland. They appeared there under the Alan Martin Enterprises banner. In Thurso some dancegoers fresh from the pubs proved somewhat disrespectful to their distinguished guest, jeering, scoffing and dishing out a selection of ribald sarcasms... Colin Hicks then saw out his set and left the Hall. A few weeks later an article appeared in a national magazine in which he advised his fellow practitioners to avoid, at all costs, a miserable place called Thurso, where the locals were utterly ignorant of what constituted good music.

Shortly thereafter Colin Hicks went back to South Africa this time with his Cabin Boys, then he was booked on a package tour of Italy with the Platters, Ramblin’ Jack Elliott and the Trio Raisner which started on 7 May 1958: headlining in Milan, Venice, Bari, Brindisi, Naples, Rome, Genoa.

But in June 1958, Colin Hicks returned to London to find that Larry Parnes and John Kennedy didn’t want to extend his contract after “Lah Dee Dah” had failed. They then confiscated the gear of the band.
So Hicks attracted the patronage of an insurance broker and a wealthy businessman named Freddy Clifford, who spent £2000 on the very finest instruments, amplifiers, microphones and a mixer, and getting Colin publicized in his own right.

In August 1958, after a successful appearance on the popular TV show "Jack-In-The-Box", another tour followed, and 'Pye' had Colin Hicks' third 45 released: "Little Boy Blue" written by lionel Bart coupled with "Jambalaya" the Hank Williams song.

Towards the end of the year, Colin Hicks was starring at the Granada in Kensington London, with a show called "The Colin Hicks Band Show", which also included Johnny Duncan & his Blue Grass Boys, Nancy Whiskey and The Southlanders. The Cabin Boys were supplemented by guitarist Joe Moretti who's just arrived in London directly from Scotland. Brian Pugh aka "Lou Bryan" took over from Ronnie Mills on piano for a very short while before moving with Moretti to Vince Taylor & his Playboys. He reinvented himself as “Perry Ford” and would later become successful with the Vocal trio The Ivy League, after a stint in the Echoes, and as songwriter (2).
He was replaced with Chris Andrews who joined the Colin Hicks one nighter tour of North Britain starting at Whitehaven, Scotland. Johnny Stanley eventually left to front his own Show Band which was part of the support acts alongside Sibby Raid and The Debonairs from mid December 1958 (3).

Colin Hicks & The Cabin Boys rehearsed in the first floor of the Roundhouse - for 2 days - until Freddy Clifford blew a fuse. Every record company had shown him the door. So the band folded.

During February 1959, Colin Hicks took over the lead role of Bongo Herbert vacated by James Kenny in the hit musical stage production of "Expresso Bongo" and underwent a 13 week tour across the country.
Meanwhile Tony Eagleton and Jimmy Nicol were rolled by Alex Murray into the pit band of the Franck Norman/Lionel Bart musical “Fings ain’t wot they used to be”, which opened at the Theatre Royal in Stratford, East London.
Chris Andrews started a solo career, appearing on Jack Good's TV show "Oh Boy". He later became a successful singer, songwriter and producer (4).

Without chart success, his recording career in the UK nosedived but Colin Hicks was not deterred.
In September 1959, Colin Hicks checked out the latest arrivals at the 2is coffee Bar and recruited a new set of Cabin Boys: Dave 'Zom' Tick on guitar (ex-Vipers), Rod 'Boots' Slade on bass, and Mike O’Neill on piano (ex-Clay Nicholls & The Blue Flames). Jimmy Nicol, the original drummer, provided a thread of continuity.
They accompanied Hicks for 4 months work in Italy, where they had rave reviews about their rock'n'roll show through a Cameo in the Italian financed and directed documentary movie “Europa di Notte” (Europe By Night).
Colin Hicks & The Cabin Boys recorded 9 songs for the Italian Broadway label: "Book Of Love", "Yea Yea", "Oh Boy", "Twenty Flight Rock", "Tutti Frutti", "Sexy Rock", "Johnny B. Goode", "Giddy-Up-A-Ding-Dong" and "Brand New Cadillac" which was the first to be released as a 45 single.
In the Alessandro Blasetti film, Colin Hicks and his group appeared singing "Giddy Up A Ding Dong", which had proved to be a big hit in Italy, resulting in a lucrative invitation to tour there. In fact They had a balls sporadic gigs, but regular wages; met and hung out with Chet Baker.

In late 1959, Jimmy Nicol left to join Vince Eager and his Quiet Three (5). Laurie Jay from The Nu-Notes replaced him.
At this time, The Cabin Boys always opened the show just before Colin.
Probably inspired by the surrounding scenery and the Italian "Peplum" movies, The Cabin Boys decided to change their name to Nero & the Gladiators, backstage at the "Teatro Olympia" in Milan. They then parted company with Colin Hicks who choose concentrate on Italy.
When Johnny Kidd & The Pirates topped the British charts with "Shakin' All Over" in Summer 1960, Hicks modelled his act on them. Incidentally The Pirates' bass player was none other than a former Cabin Boy, Brian Gregg.

Colin Hicks even appeared in the film "Vacane alla baia d'argento" in 1961 which ensured his popularity and success over there. So Brian Gregg returned to the fold in Summer 1961, rolling his mates from Johnny Kidd & The Pirates, guitarist Alan Caddy and drummer Clem Cattini into The Cabin Boys. They were plunged straight into a six-week tour of Italy and once their obligation had been completed returned home, exhausted, eventually working with Joe Meek as part of The Tornados.

A couple of years later, in May 1963, Colin Hicks signed up a new English backup band to accompany him on a another tour of Italy: The Shel Carson Combo consisting of Norman Shapiro and Johnny Charlton on guitars, Bobby Posner on Bass, Mike Shepstone on drums.
They played in places like the Alcione theatre in Milano, earning success among the audience.

When Colin Hicks got sick and completely lost his voice before a show in Torino, The Cabin Boys replaced him, performing more of their songs, in the rhythm & blues vein. They decided to tour on their own and then changed their name to The Rokes. During a gig at the Ambra-Jovinelli in Rome, they were spotted and then signed by Teddy Reno, the manager of the Italian girl singer Rita Pavone, to support her Italian tour...

Colin Hicks carried on with various line-ups of The Cabin Boys. One of them featured Jamaican Tenor saxophonist Mike Elliott who later formed the Foundations in 1967.


(1) Brian Gregg had purchased a cello Hofner. He was one of the few bass players in Britain to own an electric bass guitar.

(2) Brian Pugh reinvented himself as “Perry Ford”, being part of The Ivy League from 1964 to 1966, and writing for Adam Faith and The Bachelors.
(3) Brian Gregg: “we were playing these big ballrooms up north - places like Barrow and Crewe… to get an audience of a dozen. It was obvious that it wasn’t going to happen and I quit. He was a cocky little git at times, though he knew it all. Wouldn’t even consult us.”

(4) Chris Andrews had an international hit with "I'm Yesterday Man" in 1965.
He also wrote for Adam Faith ("The First Time"; "Hungry for love") and produced Sandy Shaw.
(5) Jimmy Nicol later did session work with the orchestras of Oscar Rabin, Cyril Stapleton, Johnny Dankworth and Ted Heath from 1960 to 1963, before leading his own bands, The Shubdubs and The Sound of Jimmy Nicol. He also played drums for other acts such as Georgie Fame & The Blue Flames in May 1964, and the Swedish guitar group The Spotnicks from September 1965. Being a very accomplished session drummer from Liverpool, he was naturally chosen to sit in with The Beatles during their tours of Denmark, Sweden, Holland and Australia, for a couple of weeks in June 1964, while Ringo Starr was hospitalised with tonsillitis.
It was rumoured that Nicol had died at 49 years old in 1988 (René van Haarlem from Beatles Unlimited), however a report by the Daily Mail (Saturday, October 1, 2005) confirmed that he was still alive and living as a recluse in London. Check this page about him.



Discography
UK RELEASES (Pye)

1. Empty Arms Blues / Wild Eyes & Tender Lips. Pye 7N 15114. Late 1957.
2. La Dee Dah / Wasteland. Pye 7N 15125. Early 1958.
3. Little Boy Blue / Jambalaya. Pye 7N 15163. Sept. 1958.

ITALIAN RELEASES (Broadway, 1959)

1. Brand New Cadillac / ? Broadway Int. 1022 - 1959
2. Sexy Rock / Johnny B. Goode Broadway Int. 1028 - 1959

Compilations· "History Of Rock'n'Roll" - #13 (Alligator Records 560209, 1988):
included Giddy Up A Ding Dong; Book Of Love; 20 Flight Rock; Yea Yea; Oh Boy and Tutti Frutti

· "British Beat Before The Beatles" - Volume Two (CD set, EMI, 1993): Empty Arm Blues...

Lineups of Colin Hicks & The Cabin Boys
Colin Hicks & The Cabin Boys #1 (Late 1957 - March 1958)
  • Colin Hicks (Lead Vocals)
  • Tony Eagleton (Lead Guitar)
  • Tony Belcher (Rhythm Guitar)
  • Brian Gregg (Bass)
  • Ronnie Mills (Piano)
  • Jimmy Nicol (Drums)


Colin Hicks & The Cabin Boys #2 (April - August 1958)
  • Colin Hicks (Lead Vocals)
  • Tony Eagleton (Lead Guitar)
  • Brian Gregg (Bass)
  • Ronnie Mills (Piano)
  • Johnny Stanley (Tenor Sax)
  • Jimmy Nicol (Drums)


Colin Hicks & The Cabin Boys #3 (August - November 1958)
  • Colin Hicks (Lead Vocals)
  • Tony Eagleton (Lead Guitar)
  • Brian Gregg (Bass)
  • Brian Pugh (Keyboards) "Lou Bryan"
  • Johnny Stanley (Tenor Sax)
  • Jimmy Nicol (Drums)



Colin Hicks & The Cabin Boys #4 (November - December 1958)
  • Colin Hicks (Lead Vocals)
  • Tony Eagleton (Lead Guitar)
  • Joe Moretti (Rhythm Guitar)
  • Brian Gregg (Bass)
  • Chris Andrews (Keyboards)
  • Johnny Stanley (Tenor Sax)
  • Jimmy Nicol (Drums)


Colin Hicks & The Cabin Boys #3 (November - December 1958)
  • Colin Hicks (Lead Vocals)
  • Joe Moretti (Lead Guitar)
  • Rodney Slade (Bass) "Boots"
  • Brian Pugh (Keyboards) "Lou Bryan"
  • Jimmy Nicol (Drums)


Colin Hicks & The Cabin Boys #5 (September - December 1959)
  • Colin Hicks (Lead Vocals)
  • Dave Tick (Lead Guitar) "Zom"
  • Rod Slade (Bass) "Boots"
  • Mike O'Neill (Piano)
  • Jimmy Nicol (Drums)
  • Laurence Joseph Jacobson (Drums) "Laurie Jay"

Colin Hicks & The Cabin Boys #6 (1960)
  • Colin Hicks (Lead Vocal)
  • George Dankmeyer (Bass)
  • Mike Elliott (Tenor Sax)
  • And others


Colin Hicks & The Cabin Boys #7 (July - August 1961)
  • Colin Hicks (Lead Vocal)
  • Alan Caddy (Lead Guitar)
  • Brian Gregg (Bass)
  • Clem Cattini (Drums)


Colin Hicks & The Cabin Boys #8 (May 1963)
  • Colin Hicks (Lead Vocal)
  • Norman Shapiro (Lead Guitar/Vocals)
  • Johnny Charlton (Rhythm Guitar/Vocals)
  • Bobby Posner (Bass/Vocals)
  • Mike Shepstone (Drums/Vocals)


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Clay Nicholls & The Blue Flames


"Clay Nicholls" was a Scottish singer of italian origin, whose proper name was Vincente Tartaglia. He moved to London, found the 2I’s Coffee Bar where he instantly landed a spot singing in late 1958. He therefore formed his first set of Blue Flames there: hiring Tony Harvey on guitar, who had previously been in the original crew of Vince Taylor's Playboys; Mike O'Neill on piano from Leigh, Lancashire, and Al Allison on drums.
Not long before Christmas 1958, they played Shepherds Bush Gaumont where mogul Larry Parnes saw them but was unimpressed. Even though they passed an audition for a season at Butlins holiday camp in Filey,Yorkshire, in the early part of 1959.
Unfortunately, they disbanded because they were a band thrown together because of a requirement for series of bookings, but was never expected to remain together once that requirement was fulfilled.
Tony Harvey returned to the 2I’s Coffee Bar, backing other newcomers such as Keith Kelly or Screaming Lord Sutch with his Egmond guitar.
Mike O'Neill went on to join the 'Cabin Boys', the backing group of Tommy Steele's brother, Colin Hicks. Al Allison was later with The Wild Angels.

In June 1959, Clay Nicholls' manager Alan Humphries decided to assemble another group for the summer season at Butlins Filey. He first recruited guitarist Rick Hardy who had previously been part of the Worriedmen and had just finished a residency at the Top Ten Club newly opened by the Anglo-American rocker Vince Taylor in Berwick Street Soho.

The other members were bass player Peter Wharton and drummer Johnny Watson. They were joined by a very skilled lead guitarist by the name of Joe Brown from The Spacemen Skiffle Group.

When the new set of Blue Flames arrived at Butlins they were met by the entertainments manager who said "You're not the band we auditioned" and had to audition for him again. The latter finally found them better than the other band...

Although before the end of the season, Joe Brown was booked by Larry Parnes and joined his Beat Boys to back Marty Wilde, Billy Fury,Terry Dene, Dickie Pride, Johnny Gentle, Duffy Power and Sally Kelly at The Southend Odeon for the opening night of 'The Big Beat Show'. There TV producer Jack Good remarked him, even found him 'quite sensational' and eventually booked him for his new series, 'Boy Meets Girls', to be unveiled next month.

Meanwhile the Blue Flames replaced him with returning Tony Harvey.
In September 1959, they eventually were paid off. Then Rick Hardy and Peter Wharton both returned to Soho, London, where they worked until being asked by pianist Iain Hines to be part of The Jets, the first English rock band to play in Hamburg. Johnny Watson was poached by Reg Calvert to be the drummer in the new core of Vince Taylor's Playboys.
Tony Harvey later was to play with great success with Vince Taylor again.


Quite a coincidence, 3 months later, another british outfit was also called "The Blue Flames" touring Scotland as Billy Fury's backing group. This band featured a young talented pianist by the name of Clive Powell aka "Georgie Fame", Kenny Packwood (Lead Guitar), Brian Gregg (Bass) and Clem Cattini (Drums). They were actually the second version of The Larry Parnes Beat Boys.

Clem Cattini often related an event that resulted in a change of name for their band: one cold afternoon when they were sat in the group van and had nothing to do, decided to pass the time by lighting one another's farts... As it was a cold day, their wind, when ignited, was blue in colour. As a consequence, from that time onward, they started to call themselves, "The Blue Flames". A name that Georgie Fame obviously liked alot.


Later, in June 1961, Clay Nicholls assembled a new version of "The Blue Flames" including Georgie Fame, Red Reece, Colin Green and Tex Makins. Larry Parnes decided Billy Fury should have his own band to back him in a stable basis.
Billy came to a place where The Blue Flames were rehearsing with Clay and decided he liked the Blueflames because of the initials BF. And so Billy Fury and The Blueflames were born.
Or perhaps the memories of the smell abound in the coach in winter 1959 obviously came back to the nose of Billy...
Eventually Billy Fury's manager sacked The Blue Flames - because they were too Jazzy - and then replaced them with The Tornados in December 1961.

As a result, they became a band of its own in February 1962, with Georgie Fame taking vocals and leadership.
As Georgie Fame & The Blue Flames took up a long residency at The Flamingo Club, London, thanks to Mike O'Neill now leading his own band Nero & the Gladiators.




Lineups Of Clay Nicholls & The Blue Flames :



Clay Nicholls & The Blue Flames #1 (Late 1958)

· Vincente Tartaglia (Lead Vocals) "Clay Nicholls"
· Tony Harvey (Lead Guitar)
· Mike O'Neill (Keyboards)
· ?? ?? (Bass)
· Al Allison (Drums)


Clay Nicholls & The Blue Flames #2 (Filey, June 1959)

· Vincente Tartaglia (Lead Vocals) "Clay Nicholls"
· Joe Brown (Lead Guitar)
· Rick Hardy (Rhythm Guitar)
· Peter Wharton (Bass)
· Johnny Watson (Drums)


Clay Nicholls & The Blue Flames #3 (Filey, August 1959)

· Vincente Tartaglia (Lead Vocals) "Clay Nicholls"
· Tony Harvey (Lead Guitar)
· Rick Hardy (Rhythm Guitar)
· Peter Wharton (Bass)
· Johnny Watson (Drums)


Clay Nicholls & The Blue Flames #4 (June 1961)

· Vincente Tartaglia (Lead Vocals) "Clay Nicholls"
· Colin Green (Lead Guitar)
· Tony Makins (Bass) "Tex Makins"
· Clive Powell (Keyboards/Vocals) "Georgie Fame"
· Red Reece (Drums)



Lineups Of The Other Blue Flames :

Billy Fury & The Blue Flames #1 (Scotland, December 1959)

· Ronald Wycherley (Lead Vocals) "Billy Fury"
· Kenny Packwood (Lead Guitar)
· Brian Gregg (Bass)
· Clive Powell (Keyboards) "Georgie Fame"
· Clem Cattini (Drums)


Billy Fury & The Blue Flames #2 (June 1961)

· Ronald Wycherley (Lead Vocals) "Billy Fury"
· Colin Green (Lead Guitar)
· Tony Makins (Bass) "Tex Makins"
· Clive Powell (Keyboards/Vocals) "Georgie Fame"
· Red Reece (Drums)


Georgie Fame & The Blue Flames #1 (February 1962)

· Colin Green (Lead Guitar)
· Tony Makins (Bass) "Tex Makins"
· Clive Powell (Keyboards/Vocals) "Georgie Fame"
· Red Reece (Drums)

Paul Dean & The Soul Savages/The Thoughts



Actor Paul Nicholas, born Paul Beuselinck in 1945, began his career as pop singer and pianist. As "Paul Dean", he fronted various Rock'n'Roll bands between 1960 and 1966: Paul Dean & The Dreamers, Paul Dean & The Soul Savages, and Paul Dean & The Thoughts. Those 3 bands comprised the same nucleus: Nicholas on vocals, Stuart Taylor on guitar and Pete Phillipps on drums. Those 3 musicians started out in a North London based outfit called Gene White & The Phantoms in the late 50s then were brought all together into the Savages to back Screaming Lord Sutch in summer '63.
While Stuart Taylor was poached in the Tornados by his mate Ray Randall, previously bass player with The Phantoms and The Dreamers, Nicholas and Phillipps first reunited in The Jury backing Jacky Lynton then in the Michael Black’s backing group (Michael was Don Black’s brother) based at the Astor Club in Berkeley Square, London. Both returned to The Savages in May '64 and helped Screaming Lord Sutch out to launch his own pirate radio station "Radio Sutch". As pianist of The Savages, not only Nicholas sang lead during the opening set before Dave Sutch came on stage, but he was also dressed as prostitute during "Jack the Ripper"... ending up covered with blood. That’s how he had been often injuried [1] and hence his another moniker "Paul Redman." That was his first taste of acting. Shortly thereafter he decided to give up playing full-time in favor of studying drama and developing his acting skills and then took the opportunity to begin a career as a solo act in early '65. This is the official version.
In fact, when Screaming Lord Sutch recruited a "shit hot trio" consisting of Ritchie Blackmore on guitar, Arvid Andersen on bass and Jim "Tornado" on drums - all three from Neil Christian & The Crusaders - he sacked his existing band.
Fortunatly at the same time, The Tornados first folded. As a result, Paul Nicholas and Pete Phillipps reunited with Stuart Taylor to become Paul Dean & The Soul Savages. They were joined by bass player Harry Reynolds who'd earlier been with The Premiers, an early 60s outfit first fronted by Ronnie Harwood then Paul Nicholas. They were lined up not only to support but also to back American acts Del Shannon and the Shangri Las on their British tour during March '65 alondside Herman's Hermits and The Mindbenders.
They made an appearance in the episode of ITV "Thank Your Lucky Star" aired on Saturday 29th May 1965 along with The Who (performing "Anyway Anyhow Anywhere"). The previous episode featured Screaming Lord Sutch and his new set of Savages which consisted of Ritchie Blackmore and his 2 mates plus the 4 Saxes including ex-Dreamer Ashton "Toots" Tootell.

They released a couple of singles between March 1965 and March 1966. They first recorded a rendition of “You Don't Own Me” under the name of "The Thoughts" (not to confuse with the Liverpool band of the same name which recorded “All Night Stand” in 1966 [2]) for Decca records. A year later, they released original songs "She Can Build A Mountain"/"A Day Gone By" on Reaction label. According to the Record Collector Rare Record Price Guide, this single first appeared on Polydor in late 1964, and is thought to have remained unreleased.
“A Day Gone By” was penned by Ronnie Harwood who was bass player with The Savages at that time. It was one of his first serious composition.

In April 1966, Paul Dean & The Soul Savages supported The Who on their British package tour promoted by Robert Stigwood, along with The Spencer Davis Group, The Merseys & the Fruit Eating Bears, Jimmy Cliff & The Sound System, Hamilton & The Hamilton Movement and The Band Of Angels (Mike d'Abo).

While Pete Phillipps joined up with Ronnie Harwood and Screaming Lord Sutch [3] for a tour of Italy in summer 1966, Nicholas reinvented himself as “Oscar”, after his father, Oscar Beuselinck, a music business lawyer whose clients included The Who, and kept supporting them in Blackpool or Great Yarmouth, backed by The Stuart Taylor Trio.
He then recorded novelties produced by Robert Stigwood such as "Club of Lights", self-penned "Waking Up", a Pete Townshend composition untitled "Join My Gang" and “Over The Wall We Go” written by David Bowie.

A promotional device used by the record company was a cartoon Oscar 'statuette' (presumably a likeness of the singer), which allowed the Reaction label to issue advertisements alluding to the Hollywood Oscars: "Reaction now award you... Oscar - Club of Light."

But it was "Over The Wall We Go" that brought notoriety to Oscar in February 1967 by attracting some publicity through its controversial lyrics about escaped prisoners and incompetent cops. The chorus was "Over the wall we go, all coppers are 'nanas'." David Bowie, who wrote the song, even sang on one line of it. To promote it, Oscar appeared on TV in a prisoner's uniform and it was aided by Radio City's Ian McRae, who started a spoof spot called 'Breakaway Club'. Despite some strong material Oscar failed to achieve a breakthrough.
Stuart Taylor and "Toots" Tootell, who both passed through the ranks of The Echoes (backing Dusty Springfield then Lulu), later reunited with Paul Nicholas in The London Cast of Production Hair from 1968 to 1970 in which the latter played Claude. He maintained a connection with The Who, playing the sadistic Cousin Kevin in Stigwood's film version of 'Tommy' alondside Roger Daltrey and Elton John in 1975.

Notes:
[1] Tamworth Herald 01/11/63 newspaper cutting: FANTASTIC - that was the runaway verdict of a poll taken on Monday night after Screaming Lord Sutch had brought the house down at Tamworth's Assembly Rooms... The Savages consists of Paul Redman on piano - he played with one hand because he had hurt his shoulder two days earlier...

Paul Nicholas: Me and my money - 6 February 2008
"In 1963, I earned £5 a night as one of Screaming Lord Sutch's savages. I had peroxide hair, dressed up in leopardskin and played the piano. He used to pretend to be Jack the Ripper and I had to dress up in dodgy wigs and frocks as one of the victims.
But then he started pelting me with real animal hearts and ruined my dresses, which was a bit too far. But it was great training for my career: some actors have the RSC, I had Screaming Lord Sutch."

[2] The Thoughts from Liverpool consisted of Pete Beckett (Rhythm Guitar), Phil Broadman (Lead Guitar), Alan Hornby (Bass) and Dave Croft (Drums). They began life backing Liverpool acts like Tiffany (from The Liverbirds) and Johnny & John. They recorded a Ray Davies composition “All Night Stand” which was produced by Shel Talmy.
"All Night Stand"/"Memory Of Your Love" (Planet PLF 118, 1966)

[3] According to Pete Phillipps and Ronnie Harwood, they were both reunited with Paul Nicholas and guitarist “Pussy” Mew to back Screaming Lord Sutch at various times between Mid '65 and Mid '66: e.g. when he stood for the National Teenage Party against British Prime Minister Harold Wilson during the General election, in Huyton, on 30 March 1966, and at a Festival in the castle of Provins, France along with The Yardbirds The Small Faces and Simon & Garfunkel on 27 June 1966 (broadcasted on French ORTF TV programme "Music Hall de France").


Discography


As Paul Dean

45s:
1. You Don't Own Me/Hole In The Head (Decca F 12136) April 1965 - as Paul Dean & The Thoughts
2. She Can Build A Mountain/A Day Gone By (Reaction 591 002) March 1966 - as Paul Dean & The Soul Savages

As Oscar

45s:
1. Club Of Lights/Waking Up (Reaction 591 003) May 1966
2. Join My Gang/Days Gone By (Reaction 591 006) June 1966
3. Over The Wall We Go/Every Day Of My Life (Reaction 591 012) February 1967
4. Holiday/Give Her All She Wants (Reaction 591 016) Mid 1967
5. Open Up The Skies/Wild Ones (Polydor 56267) 1968



Line-ups of Paul Dean & The Dreamers, The Soul Savages and The Thoughts

Paul Dean & The Dreamers (1960 - 1962)
· Paul Beuselinck (Lead Vocals) "Paul Dean"
· Stuart Taylor (Lead Guitar)
· Ray Moxley then Paul Hughes (Rhythm Guitar)
· Ray Randall (Bass)
· Ashton Tootell (Tenor Sax)
· Pete Phillipps (Drums)

Paul Dean & The Soul Savages/The Thoughts (March 1965 - April 1966)
· Paul Beuselinck (Lead Vocals) "Paul Dean"
· Stuart Taylor (Lead Guitar)
· Harry Reynolds (Bass)
· Pete Phillipps (Drums)

Oscar & The Stuart Taylor Trio/The Souls (May - September 1966)
· Paul Beuselinck (Lead Vocals) "Oscar"
· Stuart Taylor (Lead Guitar)
· Ray Randall (Bass)
· Pete Woolf (Drums)


Special thanks to Ged Peck, Ronnie Harwood, Val and Pete Phillipps for providing photos and info

Heinz & The Saints


The Saints were put together and named by Joe Meek who used them on many of his recordings.
This instrumental trio consisted of Roy Philips on guitar, born in Parkstone, Dorset on 5 May 1943, Tab Martin on bass, born Alan Brearley, in Newcastle on Christmas Eve 1944, and drummer Ricky Winters born 27 September 1940, in Aldershot, Hampshire.

Roy Philips was the guitarist in a Bournemouth group who as The Soundtracks (originally called The Drovers) acted as back up band for Everly Brothers influenced duo The Dowland Brothers.

Tab Martin was the official replacement for Heinz Burt in the Tornados but he only stayed with them from January to March 1963. At the time Heinz was leaving the band to become a solo artist and was due to star in the film ‘Farewell Performance’. As the Tornados were also due to appear in the film playing the song ‘The Ice Cream Man’ a new bass player was needed at short notice, and Tab was selected by Joe Meek for this appearance.
That was his father who answered of the ad... Tab had never played the instrument before.

Ricky Winters was the drummer in another act produced by Joe Meek: Cliff Bennett & The Rebel Rousers from 1959 to 1961.

In Spring '63, Joe Meek persuaded Roy Phillips to leave The Soundtracks to work with Tab Martin and Ricky Winters, and together they formed The Saints originally as the backing group for Andy Cavall.
Andy Cavall & The Saints supported Jerry Lee Lewis and Gene Vincent during their British Tour from May 6th to June 2nd 1963.
During that Tour, The Outlaws backed Heinz but they were requiered to back Jerry Lee Lewis and Gene Vincent on the continent till the end of the summer season.
The Saints became the new backing group for Heinz on a series of package and variety shows while The Outlaws only supported him on his discs ("Just like Eddie", Decca records).

The Saints released a couple of singles in their own right on the Pye label in 1963. They covered Surfaris' hit "Wipe Out" on their debut single.

A single was issued only in the US under the name of The Ambassadors, Surfin’John Brown (Dot records) presumably in an attempt to cash in on the then surfing craze. Two further tracks ‘Happy Talk’ and ‘Parade of Tin Soldiers’ have since appeared on Joe Meek reissue compilations.

In February 1964, Heinz & the Saints took part of a Larry Parnes package tour alongwith Johnny Kidd & the Pirates and Joe Brown & his Bruvvers, then supported the Rollingstones during their 3rd British tour the following month.
When Heinz moved to EMI Columbia, in April 1964, he used a new backing band,The Wild Ones, and The Saints called it a day.
Shortly afterwards Tab Martin and Roy Phillips teamed up with drummer Trevor Morais (formerly with Faron's Flamingoes, Rory Storm and the Hurricanes, and Ian Crawford & the Boomerangs) and together they formed The Song Peddlers.

Ricky Winters later played drums with Screaming Lord Sutch & The Savages in the 70’s. He now leads the current Saints.

When Heinz moved to EMI Columbia, in April 1964, he used a new backing band,The Wild Ones, again with Ritchie Blackmore on lead guitar.



Discography
Singles:
· Wipe Out / Midgets Pye 7N 15548 UK, 1963
· Husky Team / Pigtails Pye 7N 15582 UK, 1963

· Surfin’John Brown / Big Breaker (Dot 16528) USA, 1963

Heinz & The Saints (July 1963 - April 1964)
· Heinz Burt (Lead Vocals/Rhythm Guitar)
· Roy Phillips (Lead Guitar)
· Tab Martin (Bass)
· Ricky Winters (Drums)

Heinz & The Wild Boys



Henry George Schwartz aka "Heinz Burt" was born in Hargen Germany on July 24th 1942, to a German Father and English Mother. His family moved to England in 1945 and settled in Eastleigh, near Southampton.

In the late 1950's guitarist Graham Medley had been teaching him to play from scratch as he was hoping to join the backing group of local climbing stars The Nevitt Brothers. Heinz then formed a 'skiffle' group with him and pianist Norman Hale who'd earlier been with the Whirlwinds and worked as a lorry driver, distributing paint along the entire west coast and was stacking paint buckets onto shelves as a day time job.They called themselves The Stormers then The Falcons after the Falcon Square address in Eastleigh. They used to play pubs and usually wearing bedroom slippers as Al Kirtley recalls (see Dave Anthony). By 1960, they concentrated on American Rock 'n' Roll and Heinz apparently owned one of the first Fender bass guitars and bought by one of his girlfriends Jan who later married Ricky Storm. A 17 year old Pete Hunt replaced their original drummer Stan Hickman.

In Summer 1961, they had an audition for producer Joe Meek but had problems in getting up to London with all the gear by train and tube! Arrived in his studio, at 304 Holloway Road, North London, but rather late 7pm so told to go away. They persisted and eventually recorded some tracks but never released. Joe Meek immediately became infatuated with Heinz and he was the only one member of the band he booked.
In August 1961 Heinz was first lined up to join The Outlaws (Joe Meek’s in-house backing band) on bass - Chas Hodges was going to take over on lead guitar. As Hodges wanted to know what the new bass player was like (meaning as a musician) Meek replied, "Well, he's tall, quite good looking and very smart!" A week later, Hodges finally decided to come back to the bass and Heinz was slotted into a new Meek project, as bassist with The Tornados, a new house band to back his protégés, Don Charles and John Leyton.
Joe Meek was clearly obsessed with Heinz and advised him to dress distinctly from the rest of the band and to dye his hair blonde like the strange children in a science fiction movie. Reg Calvert, who was a trained hairdresser turned agent/manager, was required to do it.

In early 1962, The Tornados became the backing band for Billy Fury, replacing The Blue Flames who were too jazzy. As Fury wanted a keyboardist instead of saxophonists, Heinz rolled his mate Norman Hale into the band.
However Hale was quickly replaced by Roger Jackson.
After the failure of their debut single, “Love And Fury”, The Tornados followed with “Telstar”, which topped the charts on both sides of the Atlantic at the end of 62. It was a hit in 17 Countries worldwide and eventually sold five million copies.
In spite of this, Heinz was groomed for solo stardom by Joe Meek and then embarked on a solo career in early 1963. He was first due to star in the film ‘Farewell Performance’. Ironically, it was Chas Hodges who deputized for Heinz immediately after he left The Tornados and The Outlaws became his first backing band with Ritchie Blackmore on Lead Guitar. They had a summer season together with Arthur Askey in Rhyl after a British tour alongside Gene Vincent and Jerry Lee Lewis from May 6th to June 2nd. Heinz solo live shows were not a great success, especially on this tour in which he had a tough time from the mostly male audiences, some of whom threw “Heinz” baked beans at him.
Part of The Outlaws' management deal with Heinz included the financing of their new stage clothing, van and equipment and Blackmore got his red Gibson ES 335. He used it on Heinz’ second single, the Eddie Cochran tribute "Just like Eddie" which hit the British Top Five in September 63.

In the event, The Outlaws supported Heinz on his early discs (on Decca records) while The Saints – who originally worked with Andy Cavall as support act during the Tour headlining Jerry Lee Lewis and Gene Vincent - were requiered to back him on a series of package and variety shows. Put together by Tab Martin on bass (who replaced Heinz in the Tornados), Roy Philips on guitar and drummer Ricky Winters (ex-Cliff Bennett’s Rebel Rousers), this instrumental trio was named by Joe Meek and acted as house band on many of his recordings. They also released records in their own right. In February 1964, Heinz & the Saints took part of a Larry Parnes package tour alongwith Johnny Kidd & the Pirates and Joe Brown & his Bruvvers, then supported the Rollingstones during their 3rd British tour the following month.
Heinz appeared in 1963's "Live It Up", a film produced and directed by Lance Comfort about four Post Office workers who decide to form a band and record a demo. He performed two tracks including the title number with his band including David Hemmings as lead guitarist and Steve Marriott on drums. The movie revolves around the tape being lost and, after a series of madcap adventures, the tape is found again. The music was produced by Joe Meek.
In April 1964, Heinz moved to EMI Columbia with a new backing band,The Wild Ones, again with Ritchie Blackmore on lead guitar.
Heinz & the Wild Ones made their Live debut on Sunday May 10th 1964 at the inaugural night of the Beat City Club, Soho. The name changed to Wild Boys came in July when they discovered that another group with the same name recording for Fontana had just released a single “Bowie Man”. By this time Brian Woods replaced John Anderson on bass.

They were booked on a Christmas Pantomime season “Once Upon A Fairytale” starring Marty & Joyce Wilde and Lulu, planned to run from December 26th 1964 to January 23th 1965. However the show ended earlier, after the last show at Norwich on January 9th, the rest of performances were cancelled due to poor tickets sales and Ritchie Blackmore left the Wild Boys in February, to join Neil Christian & The Crusaders.
Barry Tomlinson took over him.

For 3 years, from mid 63 to mid 66, Heinz had released 11 other singles first on Decca then on Columbia, and scored 4 Top 50 hits, with "Country Boy" (#26), "You Were There" (#26), "Questions I Can't Answer" (#39) and "Diggin' My Potatoes" (#49). His final release "Movin’ In"/"I’m Not A Bad Guy" failed to chart and the group broke up going their own separate ways in late 66.
Heinz's recording career effectively came to an end with the death of Joe Meek. In fact, Meek blasted his landlady to death with a shotgun belonging to Heinz and then turn it on himself in February 1967. Later in the year, Heinz toured Devon and Cornwall backed by The Gass Company from South Ockenden, Essex.
Heinz carried on with a few live shows and various bands, culminating in a very successful show on the 1972 Wembley Show of Rock and Roll Legends alongside Bill Halley, Jerry Lee Lewis, Chuck Berry, Little Richard and Screaming Lord Sutch…

By 1975, Heinz re-united with former Tornados, and they released a new version of “Telstar”. However another band from Southend used the same name and were actually gigging in Accrington at the same time: they were the backing band of Billy Fury who owned the rights to the name. Heinz then descended into cabaret work.

Later discs flopped and Heinz just faded back into obscurity living back in Eastleigh, eventually working at the nearby Ford factory.
His alcohol problems added to failing health and Heinz had been ill for about a decade since being diagnosed with motor neurone disease and was confined to a wheelchair. He appeared on 3rd February 1999 in London at a Joe Meek Appreciation Society gig alongside fellow former Joe Meek recording artist Screaming Lord Sutch.
His most recent press coverage was over a dispute with neighbours which almost went to court over the volume of the music he was listening to in his home in Southampton.
Aged 57, he died of a stroke on 7th April 2000, just a few weeks after his final sets at the Banister Ballroom in the Hulse Road Social Club, in Hampshire, and then at Bishops Waltham Club, near Southampton (according to Carol Smith), on 24th March, where he bravely managed a few great classic songs such as “Three Steps To Heaven”, “Whole Lotta Shakin' Goin' On”, and his biggest solo hit, “Just Like Eddie”.

Heinz & The Wildboys in 1967, photo courtesy Malvin Van Gelderen


Discography
Singles:Dreams Do Come True/Been Invited To A Party (Decca F 11652) - May 1963
Just Like Eddie/Don't You Knock At My Door (Decca F 11693) - June 1963
Country Boy/Long Tall Jack (Decca F 11768) - November 1963
You Were There/No Matter What They Say (Decca F 11831) - January 1964
Please Little Girl/For Loving Me This Way (Decca F 11920) - Spring 1964
Questions I Can't Answer/Beating Of My Heart (Columbia DB 7374) - September 1964
Diggin' My Potatoes/She Ain't Comin' Back (Columbia DB 7482) - Early 1965
Don't Think Twice/Big Fat Spider (Columbia DB 7559) - April 1965
End Of The World/You Make Me Feel So Good (Columbia DB 7656) - Mid 1965
Heart Full Of Sorrow/Don't Worry Baby (Columbia DB 7779) - Late 1965
I'm Not A Bad Guy/Movin' In (Columbia DB 7942) - June 1966

LP· “A Tribute To Eddie” (Decca LK.4599) - UK, 1964
· “Remembering” (Decca REM 7) - 1977



Various Line-ups of Heinz’s Bands

The Falcons (Eastleigh, 1959 - August 1961)
· Graham Medley (Lead Guitar/Vocals)
· 'Little Graham' (Rhythm Guitar/Vocals)
· Heinz Burt (Bass)
· Norman Hale (Piano)
· Stan Hickman (Drums)
· Pete Hunt (Drums)


The Outlaws #2 (August 1961)
· Chas Hodges (Lead Guitar)
· Reg Hawkins (Rhythm Guitar)
· Heinz Burt (Bass)
· Bobby Graham (Drums)


The Tornados #1 (September 1961 - February 1962)

· Norman Hale (Organ)
· Alan Caddy (Lead Guitar)
· George Bellamy (Rhythm Guitar)
· Heinz Burt (Bass)
· Clem Cattini (Drums)


Billy Fury & The Tornados (March 1962 - January 1963)

· Billy Fury (Lead Vocals)
· Alan Caddy (Lead Guitar)
· George Bellamy (Rhythm Guitar)
· Heinz Burt (Bass)
· Roger Jackson (Organ) "LaVern"
· Clem Cattini (Drums)


Heinz & The Outlaws (May - June 1963)
· Heinz Burt (Lead Vocals/Rhythm Guitar)
· Ritchie Blackmore (Lead Guitar)
· Ken Lundgren (Rhythm Guitar/Keyboards)
· Chas Hodges (Bass)
· Mick Underwood (Drums)


Heinz & The Saints (July 1963 - April 1964)
· Heinz Burt (Lead Vocals/Rhythm Guitar)
· Roy Phillips (Lead Guitar)
· Tab Martin (Bass)
· John Andrews (Bass)
· Ricky Winters (Drums)


Heinz & The Wild Ones (April - July 1964)

· Heinz Burt (Lead Vocals/Rhythm Guitar)
· Ritchie Blackmore (Lead Guitar)
· John Anderson (Bass)
· Dave Adams (Keyboards) "Burr Bailey"
· Ian Broad (Drums)


Heinz & The Wild Boys #1 (July - Late 1964)

· Heinz Burt (Lead Vocals/Rhythm Guitar)
· Ritchie Blackmore (Lead Guitar)
· Brian Woods (Bass)
· Dave Adams (Keyboards) "Burr Bailey"
· Ian Broad (Drums)


Heinz & The Wild Boys #2 (Late 1964 - January 1965)

· Heinz Burt (Lead Vocals/Rhythm Guitar)
· Ritchie Blackmore (Lead Guitar)
· John Davies (Bass)
· Dave Adams (Keyboards) "Burr Bailey"
· Ian Broad (Drums)


Heinz & The Wild Boys #3 (January - July 1965)

· Heinz Burt (Lead Vocals/Rhythm Guitar)
· Barry Tomlinson (Lead Guitar) then Ron Beynon
· John Davies (Bass)
· Dave Watts (Keyboards)
· Ian Broad (Drums)


Heinz & The Wild Boys #4 (August 1965 - Late 1966)

· Heinz Burt (Lead Vocals/Rhythm Guitar)
· Barry Franks (Lead Guitar)
· Malvin Van Gelderen (Rhythm Guitar)
· Cliff Franks (Bass)
· Trevor Franks (Drums)


Heinz & The Gass Company (Devon & Cornwall, August - September 1967)
· Heinz Burt (Lead Vocals/Rhythm Guitar)
· Martin Page (Lead Guitar)
· Jeff Archer (Bass)
· Bill Hurd (Keyboards)
· Mick Carroll (Drums)


The Original Tornados (1975)

· Roger Jackson (Organ) "LaVern"
· Alan Caddy (Lead Guitar)
· George Bellamy (Rhythm Guitar)
· Heinz Burt (Bass)
· Clem Cattini (Drums)
Also Doctor Feelgood in the early 70s



Special thanks to Graham Medley, Carol Smith, Malvin Van Gelderen and many others...
If you have any further information and want to contribute to this site, please email us at: tomusicstorytellers@gmail.com

Chris Sandford & The Coronets

Chris Sandford can be regarded as the very first soap star to hold down two careers simultaneously: becoming pop singer as well as actor. He appeared in TV's Maigret, No Hiding Place, Z Cars, The Persuaders, Dad's Army, The Liver Birds and Danger Man, as well as such films as Half A Sixpence, Deep End and Up The Chastity Belt.

Sandford was born 6th June 1944 in Wallasey, Cheshire but moved to London 2 years later.
He joined a band called the Tennessee Disciples until he attended an acting college where he met Mitch Mitchell, later drummer with the Jimi Hendrix Experience.
His theatrical background includes parts in The Kitchen, The Unexpected Guest. He first achieved notoriety as The Singing Milkman “Walter Potts” in television's soap Opera “Coronation Street”. The song he performed in the programme, "Not too Little, Not too Much" reached the 17th position in British charts in early 1964, as a result he became a real full time singer and needed a group to back him for live gigs and so The Coronets were formed around his friend Mitch Mitchell, on drums, and Norman Hale, the original organist of The Tornados. In February 1964, Chris Sandford & The Coronets went on the road, touring clubs such as The Bridgwater's Top Twenty which was packed for The Coronation Street star's visit. They then took part in the Roy Orbison’s British tour during April and May 1964 with Brian Poole & The Tremeloes, Freddie & the Dreamers, Wayne Fontana & the Mindbenders and Tony Sheridan & The Big Patrick Six. They also supported the Rolling Stones at Coventry about that time. In fall 1964, 14 year old drummer Eric Dillon replaced Mitch Mitchell who joined The Riot Squad, a R’n’B band assembled by producer Larry Page.

During 1965, Chris Sandford had a six-week stint as a DJ on the pirate station “Radio Caroline” where he was originally employed in the sales department. He then went into the A & R field and became the manager of the band which reverted to a quintet and used the old name of "The Lively Set". Sandford produced their debut single “Don't Call My Name”, released in July 1965 on Pye. They appeared on TV, 'Five O'Clock Club' and also backed American rocker Gene Vincent.

In September 1965, The Lively set toured the Storyville clubs in Germany alongwith Neil Landon & The Burnettes, which featured Noel Redding on guitar. Mitch Mitchell eventually returned to the fold because Eric Dillon was under age and couldn’t work there with the band. Kevin Lang, bass player with The Burnettes, recalls: “The first time we met Eric Dillon was in Frankfurt. He was only 14 years old and the band smuggled him into Germany under the seats of their van, he was under age and did not have a work permit. No one ever found out and he stayed in Germany quite a while.”
Dillon and keyboardist Norman Hale were briefly enlisted in The Burnettes a few time before they broke up.
Mitchell finally left the group and joined Georgie Fames & The Blue Flames, and Eric Dillon became the permanent drummer until The Lively set split up in 1966. Dillon re-united with Noel Redding in a new group, 'Fat Mattress', 3 years later.

Chris Sandford cut two other singles for Decca and Fontana labels, including a Bob Dylan spoof called “I Wish They Wouldn't Always Say I Sound Like The Guy From The USA Blues.” He then concentrated on his acting career.
During the 70s, Chris Sandford continued to make records and was backed by his Friendship then The Rag 'n' Bone Band.


Terry New, lead guitarist of The Coronets
"The Coronets was formed to back a TV actor called Chris Sandford who was then appearing regularly in a popular Soap Opera on UK TV - "Coronation Street". In the programme he was a singing window cleaner who wanted to become a recording artist. He made a record called "Not Too Little Not Too Much" which was quite sucessful at the time and got quite high in the UK Charts. He needed a group to back him for live gigs and so the Coronets were formed. Mitch was a friend of Chris Sandford, they met at an acting college.
The Coronets never recorded under that name and when the Chris Sandford & The Coronets gigs ended we recorded as The Lively Set with Chris Sandford as our recording manager."



Discography

Chris Sandford

Singles:
Not too little, Not too Much / I'm Lookin (Decca F 11778) - November 1963
You're Gonna Be My Girl/Don't Leave Me Now (Decca F 11842) - February 1964, with The Coronets
I Wish They Wouldn't Always Say I Sound Like The Guy From The U.S.A. Blues/Little Man, Nobody Cares (Fontana TF 633) November 1965

LP
A little bit off the top


The Lively Set

Singles:
· Don't Call My Name/What Kind Of Love (Pye 7N 15880) - July 1965

[Let The Trumpets Sound/The Green Years (Capitol CL 15472) - 1966
is from a different band from the USA]


Various Line-ups of Chris Sandford & The Coronets/The Lively Set

Chris Sandford & The Coronets #1 (Early - Late 1964)
  • Chris Sandford (Lead Vocals)
  • Terry New (Lead Guitar/Vocals)
  • Tony Cartwright (Rhythm Guitar/Vocals)
  • Dave Glasspool (Bass)
  • Norman Hale (Keyboards)
  • Mitch Mitchell (Drums)


Chris Sandford & The Coronets #2 (Late 1964 - Mid 1965)
  • Chris Sandford (Lead Vocals)
  • Terry New (Lead Guitar/Vocals)
  • Tony Cartwright (Rhythm Guitar/Vocals)
  • Jim Kent (Bass)
  • Norman Hale (Keyboards)
  • Eric Dillon (Drums)


The Lively Set #1 (Mid 1964 - Late 1965)
  • Terry New (Lead Guitar/Vocals)
  • Tony Cartwright (Rhythm Guitar/Vocals)
  • Jim Kent (Bass)
  • Norman Hale (Keyboards)
  • Mitch Mitchell (Drums)
  • Chris Sandford (Manager)


The Lively Set #2 (Late 1965 - 1966)
  • Terry New (Lead Guitar/Vocals)
  • Tony Cartwright (Rhythm Guitar/Vocals)
  • Jim Kent (Bass)
  • Norman Hale (Keyboards)
  • Eric Dillon (Drums)
  • Chris Sandford (Manager)

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Neil Landon & The Burnettes

Photo of Neil Landon & The Burnettes in Germany, Mid 1965, courtesy Kevin Lang Left to right: Kevin Lang, Noel Redding, Neil Landon, Alan Dickenson and Pete Kircher.

The Burnettes were a Folkestone-based group fronted by singer Neil Landon, who enjoyed fleeting fame as a member of The Flowerpot Men with Carter-Lewis’ "Let's Go To San Francisco" in 1967. The band also featured other British luminaries such as drummer Pete Kircher aka “Pete Carter” later of Honeybus and Status Quo during the 80s, bass player Jim Leverton later of Savoy Brown, now with Caravan, and above all Noel Redding, the third man in the Jimi Hendrix Experience.


Neil Landon was born Patrick Cahill in Kirdford, Sussex, England, on July 26th 1941.
He had worked as a ship's carpenter then started singing in a semi-professional The 'Rolling Stones' from Dover (no connection with the later famous band of the same name) in October 1960 before fronting another kentish outfit the 'Cheetahs' from Ashford under the name of "Pat Barlow" from 1961 to 1962. They performormed a rendition of “Somewhere Over the Rainbow” on Southern Televisions talent show ‘Home Grown’ in early 1962.
In summer 1962, he was singing in London with The Thunderbolts and first teamed up with Noel Redding, who was then lead guitarist in another Folkestone-based group called The Lonely Ones.

By September 1962, adopting the name “Neil Landon”, he and the remaining Cheetah Mick Allen joined Folkestone band The Lonely Ones who eventually became “The Burnettes” as they were offered some prototype Burns Bison guitars after visiting the Burns guitar factory.
Mick Allen, who was originally intended as guitarist of the band along with Noel Redding, recalls: “The band was formed about September 1962 when Pat Cahill from 'Pat and The Cheetahs' joined with Noel Redding, Pete Kircher and Bob Hiscocks from 'The Lonely One's.' I also played a few gigs with them at the start but didn't want to give up the day job at that time to travel with the band!
The band went under the 'Lonely One's' name at first. Then when, they visited the Burns guitar factory and came away with new prototype Burns Bison guitars and changed the name of the band to the 'Burnettes.' I believe they did some form of a deal getting the guitars cheap for using the name!”

The first gig was at the American Airforce Base at West Malling in Kent. The band was going down very well during the gig and they were well supplied with cans of ‘Heineken’ beer. After the second gig, Mick Allen and original bass player of The Lonely Ones John Andrews, who were both in apprenticeships, decided to leave the band. They went on to join Pat Barry & The Travellers and Bob Hiscocks switched from Rhythm Guitar to bass.

In April 1963, Mick Allen joined the band on guitar as a replacement for Noel Redding who put a new set of Lonely Ones together.
Mick remembers that he first joined them not as a permanent member: “The band started working for Jack Fallon's 'Cana Variety Agency' and getting gigs all over England until about April 1963 when Noel Redding decided to leave. I was asked to help out at a gig at Swindon. I was originally just doing a few gigs until the band had replaced Noel. However they talked me into staying.”

After the departure of Bob Hiscocks who also joined up The Daltons, The Burnettes worked the remainder of the year without a bass player, and carried on with keyboardist Mel Simpson from London playing the bass riffs on the organ pedals.

During this period, they toured around England and Scotland, supporting acts such as The Searchers, The Barron Knights and The Rolling Stones who used their amps! To move with the times, and like so many British bands in the wake of the Beatles, the group moved to Germany where they acquired considerable musical refinement in the course of engagements lasting weeks and even months in Frankfurt, Cologne and Duisburg clubs.

In January 1964, they were booked to play the Storyville Club in Frankfurt, near to the American base… and finally enlisted a fifth member: Kevin Lang from Manchester on bass.

Mick Allen:
“The owner of the club, Jon Marshall, insisted we had five in the band, so being as we were playing for a couple of weeks in the Manchester area, we auditioned and enlisted the very capable Kevin Lang on bass. Incidentally, Kevin’s brother Bob was the bass player with Wayne Fontana and the Mindbenders.”

This stay in Frankfurt had been a rigorous apprenticeship in spite of unsanitary living conditions.
“I remember when we played the Storyville in Frankfurt from 1st February to 31st March 1964 that we stayed in The Hotel City. This was about 200 metres from the Storyville. The Hotel was a typical 'English band' dump! Myself and Neil were in a ground floor room that looked as if it was converted from a storeroom. The room had no heating and we had the same sheets on the beds for the whole two months we were there. This didn't matter because we would just collapse into bed exhausted after the long hours!… We played from 20.00 to 01.00 every day excepting Saturday when we had to play until 03.00... We also had to play a 2 hour matinee in the afternoon on Saturdays and Sundays.”

“Our music in early 1964 was a mixture of some of the late 50's Rock'nRoll, perhaps the odd Cliff Richard song, lots of Beatles type stuff and some R&B. By 1964, if you were up to date you were incorporating a Hammond organ into the band and getting into the R&B music such as played by Georgie Fame!”

Neil Landon & The Burnettes released no record during the 60s however they made some recordings that later appeared on a LP called “Neil Landon and The Burnetts live at The Storyville, Koln in 1964.” This record compiled, in fact, various recordings the band made since their first trip to Germany.

“There are 9 songs we recorded [at a studio] in Frankfurt in 1964 as a demo for Marshall Chess of Chess records in Chicago who came to see us at the Storyville club. He had wanted us to record a cover of 'High Heeled Sneakers', however, we were so popular at the Storyville that the boss man asked us to stay for another month! Consequently, by the time we returned to London Chess Records had released the original version of 'High Heeled Sneakers' by American singer, Tommy Tucker.
There is also a recording that was made at the Storyville Club in Cologne and recorded by a member of the audience in June 1964. The song is 'Bye Bye Johnny' and was sung by Pete Kircher the drummer.”

At the end of June 64, Mel Simpson decided to stay in Germany with a beautiful blonde called Elka from Frankfurt, and joined a German band but without the Hammond organ because it was still being paid for by The Burnettes!

When the band returned to the UK, they tried another organist who only played with them at The Hous Da Musika in Wuppertal for the last two weeks of July 64, but he wasn't up to the standard required and eventually the Hammond was sold and they reverted to a four piece band.

At the end of August 1964, Mick Allen, who'd had enough travelling about, announced he was leaving the Burnettes and Noel Redding returned on guitar. Mick later formed a Kentish outfit called The 'Shades of Black'. Among the first gigs of his new group was a jam session with Neil Landon & The Burnettes at the Hillside Club in Folkestone in April 1965. Incidentally, the Hillside Club was the venue of another jam session on 31st December 1966. The band that new year’s eve was Folkestone band ’The Circuit’. Jamming with them was Noel Redding and none other than Jimi Hendrix!

By May 1965, the band returned to the Storyville in Germany and they enlisted a new keyboard player Alan Dickenson for a short while. There was a bit of disagreement within the band about the scale of their pay while in Marburg and Dickenson was the first to leave followed shortly by Kevin Lang and Pete Kircher in late July.
At the end of Summer 1965, they were respectively replaced by Norman Hale, Jim Leverton, and Eric Dillon. Leverton was formerly bass player with the 'Big Beats' from nearby Dover. Hale was the original organist with The Tornados, and Dillon had previously been in Chris Sandford & The Coronets alongside him.
Incidentally, Eric Dillon had been enlisted in The Coronets as a replacement for another very young drummer: Mitch Mitchel who is also rumoured to have been brought in The Burnettes.
Alan Dickenson would later play on Dave Carlsen’s “Death On A Pale Horse” in January 1973, alongwith Noel Redding and Keith Moon.

Neil Landon and his new set of Burnettes went back to Germany for another month, supporting the Mersey beats. Tom Jones, who was also touring there after landing his first hit. 'Its not unusual', even had to share a flat with some of them! However as Eric Dillon was under age, Pete Kircher eventually returned to the fold. But shortly thereafter, Neil Landon decided to pursue a solo career and the band split up.

In late 1965, Noel Redding, Jim Leverton and Pete Kircher teamed up with singer Derek Knight to become the core of The New Lonely Ones briefly before deciding to call themselves The “Loving Kind.”

Meanwhile Neil Landon recorded an album with Sheila Boddicott aka “Sheila Deni”, female vocalist of the Black Diamonds from Midlands, then got to know the songwriting/producing team of Carter–Lewis, who helped him out to launch his debut single for Decca records, before joining the Ivy League which would become The Flowerpot Men.

Prior to joining the Jimi Hendrix Experience, Noel Redding teamed up with the Folkestone-based Concords who backed him for a tour of the north as the new Burnettes.

When Noel Redding decided to leave the Jimi Hendrix Experience by 1969, he embarked on a solo project that reassembled with his old friends: Neil Landon on vocals, Jim Leverton on bass and Eric Dillon on drums. During sessions at the Olympic Studios they agreed to expand the project into a group: 'Fat Mattress'. The band toured the US as warm-up for the 'Jimi Hendrix Experience'...

Then, in October 1970, Landon & Redding formed 'Brain Police', a band that reassembled with keyboardist Norman Hale. Incidentally, Norman Hale and Kevin Lang had both auditioned with Jimi Hendrix in the early days.

Neil Landon kept fronting various bands, while in Germany, from Mid 1980s to present such as The Klaus Gerlach’s Undertakers, The Neil Landon Band and more recently The Neil Landon Five…



Discography

Neil Landon & The Burnettes
· “Neil Landon and The Burnetts at live at The Storyville, Koln in 1965” - LP

Neil Landon
· 'Waiting Here For Someone' / 'I've Got Nothing To Lose' (Decca F 12330) - February 1966
· 'I'm Your Puppet' / 'I Still Love You' (Decca F 12451) - August 1966

Fat Mattress
· Naturally/Iridescent Butterfly (Polydor 56352) - August 1969
· Magic Lanterns/Bright New Way (Polydor 56367) - 1970
· Highway/Black Sheep Of The Family (Polydor 2058 053) - 1970



Various Line-ups of Neil Landon’s Bands

The Rolling Stones #3 (October - Late 1960)

· Ronnie Hambrook (Lead Vocals)
· Patrick Cahill (Lead Guitar/Vocals) "Neil Landon"
· Johnny Smith (Rhythm Guitar/Vocals)
· Bob Hopkins (Bass)
· Brian Scotcher (Drums )

Pat Barlow & The Cheetas #1 (Early 1961 - June 1962)

· Patrick Cahill (Lead Vocals) "Pat Barlow"
· Mick Allen (Lead Guitar)
· Mick Startup (Rhythm Guitar)
· Geoff Playford (Bass)
· Buster Osmonds (Drums)

Pat Barlow & The Cheetas #2 (June - August 1962)

· Patrick Cahill (Lead Vocals) "Pat Barlow"
· Mick Allen (Lead Guitar)
· Mick Startup (Rhythm Guitar)
· Geoff Playford (Bass)
· Ian Spratt (Drums)


The Thunderbolts (August 1962)

· Patrick Cahill (Lead Vocals) "Neil Landon"
· Noel Redding (Lead Guitar)
· Teddy Wadmore (Bass)
· ?? ?? (Drums)

The Lonely Ones #4 (September 1962, only the first 2 gigs)

· Patrick Cahill (Lead Vocals) "Neil Landon"
· Mick Allen (Lead Guitar)
· Noel Redding (Rhythm Guitar)
· Bob Hiscocks (Rhythm Guitar)
· John Andrews (Bass) "Andy"
· Pete Kircher (Drums) "Pete Carter"


Neil Landon & The Burnettes #1 (September 1962 - April 1963)

· Patrick Cahill (Lead Vocals) "Neil Landon"
· Noel Redding (Lead Guitar)
· Bob Hiscocks (Bass)
· Pete Kircher (Drums) "Pete Carter"


Neil Landon & The Burnettes #2 (April 1963 - January 1964)

· Patrick Cahill (Lead Vocals) "Neil Landon"
· Mick Allen (Lead Guitar)
· Mel Simpson (Keyboards)
· Pete Kircher (Drums) "Pete Carter"


Neil Landon & The Burnettes #3 (January - August 1964)

· Patrick Cahill (Lead Vocals) "Neil Landon"
· Mick Allen (Lead Guitar)
· Kevin Lang (Bass)
· Mel Simpson (Keyboards)
· Pete Kircher (Drums) "Pete Carter"

Neil Landon & The Burnettes #4 (September 1964 - July 1965)

· Patrick Cahill (Lead Vocals) "Neil Landon"
· Noel Redding (Lead Guitar)
· Kevin Lang (Bass)
· Alan Dickenson (Keyboards)
· Pete Kircher (Drums) "Pete Carter"


Neil Landon & The Burnettes #5 (August - October 1965)

· Patrick Cahill (Lead Vocals) "Neil Landon"
· Noel Redding (Lead Guitar)
· Jim Leverton (Bass)
· Norman Hale (Keyboards)
· Pete Kircher (Drums) "Pete Carter"
· Eric Dillon (Drums)
· Mitch Mitchell (Drums)???


Fat Mattress #1 (June - December 1969)

· Patrick Cahill (Lead Vocals) "Neil Landon"
· Noel Redding (Lead Guitar)
· Jim Leverton (Bass)
· Eric Dillon (Drums)


Fat Mattress #2 (December 1969 - October 1970)

· Patrick Cahill (Lead Vocals) "Neil Landon"
· Steve Hammond (Lead Guitar)
· Jim Leverton (Bass)
· Mick Weaver (Keyboards)
· Eric Dillon (Drums)


Brain Police #1 (October - Late 1970)

· Patrick Cahill (Lead Vocals) "Neil Landon"
· Chris Mayfield (Lead Guitar)
· Noel Redding (Bass)
· Norman Hale (Keyboards)
· Les Sampson (Drums)



The Burnettes Without Neil Landon

Noel Redding & The Burnettes (North England Tour, Summer 1966)

· Noel Redding (Lead Guitar/Vocals)
· Barry Viles (Rhythm Guitar)
· Mike Tordoff (Bass) "Tinker"
· Bob Piper (Drums)


Some gigs of Neil Landon & The Burnettes
Debut gig at the American Airforce Base at West Malling in Kent, September 1962
Cellar Club, Kingston on Thames. 12th September 1963: supporting The Rolling Stones
California Ballroom, Dunstable. 4th January 1964: supporting Shane Fenton & The Fentones
The first month at The Storyville Club, Frankfurt, from February 1st 1964: first gig with Kevin Lang
The second month at The Storyville Club, Frankfurt, from March 1st 1964
The first month at The Storyville Club, Koln, from June 1st 1964
Die Hause de Musik, Wuppertal. July 1st 1964: last gig with Mel Simpson
Die Hause de Musik, Wuppertal. 13th July 1964: with an unknown organist


For more on Neil Landon & The Burnettes, see
http://www.kentgigs.com/musicbiz/Bands.html
http://www.kentgigs.com/musicbiz/Mick%20Allen%2020%20years%20band%20history.htm
http://www.youtube.com/user/oldaxeman

with special Thanks to Mick Allen, Chris Ashman, Claire Davies, Norman Hale, Kevin Lang and Mick Morris
sorry for people we would have forgotten